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The comparison which most easily springs to mind. Painters are just as likely to profit as others are from John Berger’s Ways of Seeing, Out of its 700 pages as the rest of us, and find it just as challenging, just as skilled Music’s Meanings “is absolutely not ‘Musicology for Dummies’. ( email from student at the University of Amsterdam, ) You make it really easy to read the otherwise To dig into the library again, your book helped me find which parts of semiotics would be useful for my thesis.Īlso, you couldn’t explain the concepts more clearly, I am writing my BA thesis on film music (I am a film student) and only last minuteĭid I find out that music semiology might be of much help. “Today I downloaded your e-book Music’s Meanings and I find it simply fantastic. ( Bruce Johnson, Macquarie University, Australia University of Turku, Finland Glasgow University, UK) Policy stakeholders, or just to be able to talk intelligently about the musical experience.” This is a must-read book for anyone interested in music,įor whatever reason: students, teachers, researchers, performers, industry and
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Reflection on the experience of music, and how to communicate it without resorting to With an unsurpassed authority in the field, the author draws on a lifetime of critical Western epistemology as well as some of its strategically Philip Tagg raises fundamental questions about “In addressing a pedagogical problem ―how to talk about music as if it meant